Video from that American Digest Commenters’ meetup you’ve heard about. Don’t blame me. I was on a boat that day.
Next post: Noted in Passing: A word to wanna-be American dictators from Mark Twain
Previous post: On Disposable Friends
Next post: Noted in Passing: A word to wanna-be American dictators from Mark Twain
Previous post: On Disposable Friends
Address for Donations, Complaints, Brickbats, and — oh yes — Donations
In Memory Of W.B. Yeats
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice.
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress.
In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.
– – WH Auden
from “1054 AD”
Sometimes it seems I had a dream, and, as a dreamer woke immersed in mineral baths closed within a cool, dark chamber fed by streams flowing in from the center of nowhere.
Hanging from the granite ceiling a kerosene lantern cast shards of light through the pale steam rising from the surface of the pools.
Ripples radiated outwards from the edges of my body and tapping faintly on the rock revealed the edges of the chamber.
Outside I could hear the wind slide across the spine of the mountains, speaking in a language that I remembered but could no longer understand.
Steam filled my nostrils and heat penetrated my bones until, after a time, I had no body, only a sense of silence and distance and calm.
As if I had just woken from all water into dream.
— Tassajara Zen Mountain Center, 1973
Your Say
My Thinking Hat
My Back Pages
FSA/8d22000/8d224008d22491a.tif
Search American Digest’s Back Pages
The People Yes
The steel mill sky is alive.
The fire breaks white and zigzag
shot on a gun-metal gloaming.
Man is a long time coming.
Man will yet win.
Brother may yet line up with brother:
This old anvil laughs at many broken hammers.
There are men who can’t be bought.
The fireborn are at home in fire.
The stars make no noise,
You can’t hinder the wind from blowing.
Time is a great teacher.
Who can live without hope?
In the darkness with a great bundle of grief
the people march.
In the night, and overhead a shovel of stars for keeps, the people
march:
“Where to? what next?”
— Carl Sandberg
Camouflage
Sourdough Mountain Lookout
Down valley a smoke haze
Three days heat, after five days rain
Pitch glows on the fir-cones
Across rocks and meadows
Swarms of new flies.
I cannot remember things I once read
A few friends, but they are in cities.
Drinking cold snow-water from a tin cup
Looking down for miles
Through high still air.
BY GARY SNYDER
Chimes of Freedom
Starry-eyed an’ laughing as I recall when we were caught
Trapped by no track of hours for they hanged suspended
As we listened one last time an’ we watched with one last look
Spellbound an’ swallowed ’til the tolling ended
Tolling for the aching ones whose wounds cannot be nursed
For the countless confused, accused, misused, strung-out ones an’ worse
An’ for every hung-up person in the whole wide universe
An’ we gazed upon the chimes of freedom flashing
The Vault
My Back Pages
Byzantium
That is no country for old men. The young
In one another’s arms, birds in the trees
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
– – W. B. Yeats, 1865 – 1939
De Breanski
VAN GOGH
Hillegas
To the Stonecutters
Stone-cutters fighting time with marble, you foredefeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained
thoughts found
The honey of peace in old poems.
— Robinson Jeffers
Real World Address for Donations, Mash Notes and Hate Mail
from “1054 AD”
Sometimes it seems I had a dream, and, as a dreamer woke immersed in mineral baths closed within a cool, dark chamber fed by streams flowing in from the center of nowhere.
Hanging from the granite ceiling a kerosene lantern cast shards of light through the pale steam rising from the surface of the pools.
Ripples radiated outwards from the edges of my body and tapping faintly on the rock revealed the edges of the chamber.
Outside I could hear the wind slide across the spine of the mountains, speaking in a language that I remembered but could no longer understand.
Steam filled my nostrils and heat penetrated my bones until, after a time, I had no body, only a sense of silence and distance and calm.
As if I had just woken from all water into dream.
— Tassajara Zen Mountain Center, 1973
Comments on this entry are closed.
“Graves, eh? You had it really good. We’d have loved to have our da dancing on our grave. They would just pile our corpses under an old broken down beer wagon behind the sewer works.”
When John Cleese and Graham Chapman (the two inside guys) went on to form Monty Python’s Flying Circus, they adapted this sketch for their live show. I remember as a teenager hearing a tape of them performing it, and laughing so hard my sides hurt for hours afterwards. The routine NAILS the we-had-it-tough rhetoric that so many of us indulge in our later years, as well as the eternal guy-group impulse to one-up each other’s anecdotes.
Rubbish! Aye had it much worse!
You had it much worse?
Haw, I had it even liverwurst and had liverworts all over my body!
Thinking about it the liverworts didn’t have it easy either; life of a liverwort starts from the germination of a haploid spore to produce a protonema, which is either a mass of thread-like filaments or else a flattened thallus. The protonema is a transitory stage in the life of a liverwort, from which will grow the mature gametophore.
I always liked Marty Feldman – didn’t know he used to perform with Cleese.
“What hump?’
Gerard: You nailed it.
Group is already infiltrated by the feds, hey?
JV, fuck the Feds. “ Their” terrified of freedom loving Americans,,,,,,
But then I’m not sure which is worse, feds posing as patriots,,,,,,,,,,or patriots, posing as patriots? Can be sooooo confusing sometimes
VI
My only problem with the video is that it cuts out the very beginning of the sketch and what’s worse, they leave off the punch line! “And you try an’ tell th’ young people of today that. They won’t believe yez!” Otherwise classic comedy. I always thought Tim Brooke-Taylor was very underrated. Loved him in “The Goodies”.
Up all night thinking about my predicament, the real problem has to be Patriots, posing as Patriots!
Fear not ,,, I’ve a solution anybody under suspicion,,,,,we water board with Carlo Rossi’s cheapest red wine. Not even the most devout pretend patriots can pass that definitive test.
Problem solved!
VI