

An excerpt on the mind virus infecting black Americans: The Curse of Aaron – by David Cole [HT: Commenter JWM]
Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.
But why? Why the anger and hatred? By not answering that question, Shakespeare has inadvertently given us the most relevant 21st-century black character of any playwright in history. A character living in a society in which he is afforded all possible opportunities, while—even as he takes advantage of those opportunities—he harbors nothing but hostility toward the majority population, even if he can point to no specific reason why they deserve such enmity. His very identity is based upon hatred of whites. There’s no tidy origin story, no specific wrong that’s being avenged or injury that served as a catalyst for the rage. There’s just an angry black man who looks gift horses in the mouth and yanks their teeth for pleasure. A black man who finds more satisfaction in being at war than he does from achieving success.
A black man who feels entitled to that war, even if he cannot name a single concrete reason why he should be.
Behold the black New York Times and Washington Post and MSNBC journalists and the black Biden administration officials and the black Hollywood producers and the black athletes and academics who live lives that would make most people green with envy, yet who seem to find fulfillment only in antiwhite, anti-West rage.
Vengeance is in my heart, death in my hand,
Blood and revenge are hammering in my head.
If you could hear the innermost thoughts of someone like the NYT’s Nikole Hannah-Jones, that’s exactly what would be playing on a loop.
Meghan Markle is Aaron in a way that’s almost too on-the-nose. Accepted into a royal house, she proceeded to destroy it from within, in the name of a righteous anger based on nothing more than a belief that she’s racially entitled to be destructive. Presented with a life of luxury and influence, she found greater satisfaction in sowing discord.
Of course, Markle’s an extreme (and, as I said, almost too perfect) example. Plus, in all ways that matter, she’s irrelevant; a bimbo actress–turned–figurehead royal–turned–“famous for being famous” tabloid fodder. The far more pressing matter is that the “Aaron attitude” is fast becoming the norm among everyday American blacks. In last week’s column, I wrote about the process of black radicalization. Aaron is the result of that radicalization.
For the leftist blacks, whites, and Jews who view themselves as shepherds of the black community, Aaron is the ideal, the goal of all the social engineering and propagandizing. Perpetually furious, blindly hateful, vengeful though not for any wrongs actually incurred, unmollified by opportunity or success, and obsessively focused on “tearing it down” while having no idea what to replace “it” with.
An important part of Aaron’s character arc is that he has no exit strategy. Having had no goal beyond destruction, once it becomes clear that his scheming has produced the desired results (the royal house is crumbling, and Titus’ last remaining son Lucius has joined with the Goths to lead an assault on the city), Aaron decides to pick up and leave (a luxury the New York Times Aarons might have, but inner-city Aarons don’t). He grabs his baby, his “son and heir” (the product of his trysts with Tamora), and hits the road.
Unfortunately for him, he’s caught by Lucius and the Goths. Lucius declares that the Moor and his offspring will be killed, a rather understandable response considering that Aaron orchestrated the murder of his brothers, the rape and maiming of his sister, and the dismemberment of his father.
“Save the child,” Aaron implores. In exchange, Aaron offers to reveal all the evils he’s done, every underhanded deed, every plot. “Things that highly may advantage thee to hear.” But only if Lucius swears that the child will be unharmed.
And now we come to my favorite part of the play. Lucius says:
Who should I swear by? Thou believest no god:
That granted, how canst thou believe an oath?
And Aaron essentially replies, indeed, an oath from me is worthless. But I know that you have a belief in morals and ethics. I know that if you give me your word, you’ll keep it,
For I know thou art religious
And hast a thing within thee called conscience.
Aaron despises white society. But he understands that these people he’s waged war against have a thing inside them that can be manipulated, an adherence to a set of values and beliefs. A conscience. Aaron knows how to use this weakness against them; their sense of morality, their allegiance to the rule of law. Their “do-gooder” mindset…
RTWT @ The Curse of Aaron – by David Cole
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